Review: Kerri Chandler's 'Bar A Thym' is one of the greatest house tracks of all time, and perhaps the inspiration for the term 'cowbell carnage'. It's still a regular in the DJ sets of everyone from Jacques Renault to Mike Dehnert, and here gets treated to no less than eight remixes. There are three Supernova and Foremost Poet refixes, plus one each from Tom Middleton and Peace Division - Middleton's Cosmos tweak being our pick of that particular bunch. The original is also included for good measure! Review: A day with a new Kerri Chandler EP is always a good day, and especially if it comes out on the impressively on-point Watergate. The Berlin dance institution is famous for its varied DJ mixes but they're started dabbling in full-blown releases, and we couldn't be happier.

The NY house legend steps up with two new tracks, backed by two killer remixes. 'Mama' is a peak-time, piano house burner featuring Jerome Sydenham, while 'Think Of Something' is the proper ripper here, with one hell of a hook and a filthy, pouncing bassline. The remixes comes from the likes of Voyeur, who dishes out a real belter, and La Fleur, who goes for a retro kind of vibe on the synths. Review: Wisely, house legend Kerri Chandler has used the opportunity provided by this DJ Kicks mix to showcase some of his greatest influences and inspirations. For the most part, that means a slick selection of soul, jazz-funk, disco and boogie gems, with highlights including the dubbed-out, synth-heavy early electro/hip-hop fusion of Fantasy Three's 'It's Your Rock (Instrumental)', the sumptuous, solo-heavy bounce of Andre Seccarelli's 'Shock Number 1' and the sensual modern soul warmth of The Foreign Exchange's body.

Throw in a wealth of specially created interludes, an exclusive Chandler production (the spaced-out Afro-dub deepness of 'Stop Wasting My Time') and one of the Innerzone Orchestra's greatest moments (acoustic soul cover 'People Make The World Go Round') and you have a suitably superb collection. Review: Few British DJs have such an instinctive grasp of '90s house and garage as Dave 'Joey Negro' Lee - he was a major player on the scene during the period, of course - so it's little surprise that the Essex producer's recent tribute comp was rather special. This sampler contains five killer tracks from the compilation, including some genuinely hard-to-find gems. Kerri Chandler's frisky, sweaty, and oh-so percussive 'Ladbroke Grove' is arguably one of the great man's lesser-known classics, while the FK Groove rework of Mood II Swing and Fonda Rae's 'Living In Ecstasy' is a classic chunk of soulful US house that's well worth revisiting. Tare Gin Gin Yaad Vich Teri Mp3 Download here.

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USG's 'Ncameau', meanwhile, still goes for silly money on vinyl, and sees Ron Trent effortlessly fuse deep and soulful house with the assistance of Peven Everett (on trumpet, bizarrely) and Anthony Nicholson. All killer, no filler. Hp Compaq 6510b Sound Drivers Windows Xp. Review: Josh Butler may come from the north of England, but he sounds like his soul originated in the US. This is clearly audible on his latest EP. Featuring the sublime vocals of house legend Kerri Chandler, the title track resounds to a lean, driving rhythm, raw beats and tinkling piano keys that have an unmistakably New York sound. It's one of the finest US style garage tracks released this year.

Remixer Nick Curly does a fine job as well; beefing up the bass and adding in some swirling synth lines, he dispenses with Chandler's vocals, but the result is just as effective as Butler's original. Review: Chandler originally released Pianos back in 2005. Based upon the seminal Steve Reich minimalist composition of the same name, it saw the US producer fuse the experimental artist's melodic flourishes with the driving rhythms of house music.

On this latest version, the original track's soaring strings and insistent groove are available in their full 12-minute plus glory. Chandler has also tapped some well-known contemporaries to rework it. Loco Dice's take is quite different from the original, with a dubby, bumping rhythm and scratchy riffs combining to create a version that shares the same repetitive aesthetic as Reich. Stephanie Ghenacia's take is deeper, with hypnotic keys unfolding over rolling drums as cosmic sounds flit about overhead.

Both are fitting tributes to Chandler's pioneering vision.